Derek Mitchell

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Teacher Bio

Derek Mitchell is one of todays most sought out choreographers. He has choreographed projects utilizing almost every style of dance and that versatility makes him an asset to any project.He was just nominated for The 2013 Capezio A.C.E. Award for Choreographic Excellence. Derek most recently choreographed a TV Commercial for Season 5 of The Wendy Williams Show in NYC. He has also choreographed a total of 15 Contemporary Jazz and Street Jazz duets and group pi...read more

Derek Mitchell is one of todays most sought out choreographers. He has choreographed projects utilizing almost every style of dance and that versatility makes him an asset to any project.He was just nominated for The 2013 Capezio A.C.E. Award for Choreographic Excellence. Derek most recently choreographed a TV Commercial for Season 5 of The Wendy Williams Show in NYC. He has also choreographed a total of 15 Contemporary Jazz and Street Jazz duets and group pieces for So You Think You Can Dance - Ukraine. In 2012 and in 2013, he choreographed numbers for Jerry Mitchell’s Broadway Bares Benefit for Broadway Cares Equity Fights Aids. Derek has choreographed music videos and world tours for Taiwanese Superstar Jolin Tsai, as well as Sylvia Tosun - Billboard Magazine’s #1 Dance recording artist. He has also choreographed for the House of Blues in Atlantic City with Freedom Williams, music videos for Push ‘n’ Pull, 5 Reasons and World Keeps Turning, Billboard Top 40 Dance Artist Bex (What You Are and Life of the Party music videos and live performances).

Derek has choreographed numerous Flash Mobs including one for 2-time Latin Grammy Award-winning artist Fonseca in Times Square. Additional flash mob choreography: NY Color make-up, YouTube viral sensations Wedding Proposal in Bryant Park-Flash Mob (featured on The Piers Morgan Show-CNN, The Today Show) and the Bollywood Wedding Proposal Flash Mob (featured in the NY Post, Nightline, Good Morning America). He is a resident choreographer for The Brooklynettes (Brooklyn Nets dance team) and the NY Knicks City Dancers 2009/10 season halftime shows as well as the Aldo shoes 2010 worldwide print campaign, Industrials for Clarins Cosmetics, Calvin Klein and Pepsi and choreographed/directed the Step-Up 3-D promo for Disney.

Derek has taught master classes all over the world including NIKE BLAST 2013 in Sweden, Argentina, France, Ecuador, Germany, Poland, Czech Republic, Mexico, Costa Rica, Brazil, Japan, Italy, Austria, South Africa, Israel, The Ukraine, Dominican Republic, Turks and Caicos and Canada. He has taught for many acclaimed dance conventions including The Pulse, MOVE NY (TOKYO The Company), Dance Olympus, Dance Masters of America, MOTIV8, Thunderstruck, Headliners, NADAA and for Dean College. His classes and choreography have been featured on Britneyspears.com, THE A-LIST, CBS, VH1, NY1 News, W Magazine, Piers Morgan, CNN, Good Day NY, The Today Show, TV Guide, Elle, Time Out, U.S. News and World Report, Women's Wear Daily and Crunch magazine.www.DerekMitchellSite.com

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CURRENTLY ON HIATUS

Derek will be on hiatus for 2017. Currently, he is the Resident Choreographer for the West Coast productions of the hit Broadway musical HAMILTON!

Class Descriptions

Street Jazz

A true collaboration of all techniques and styles of dance, Derek uses touches of jazz, cutting edge funk and the technical sharpness of jazz and hip-hop, Derek's extremely energetic and dynamic "pursy" and "hood" styles will challenge you to really "attack" each move. Routines are always kept for 2 weeks to allow the dancer to grow and let go in the choreography.

Commercial Contemporary

Derek incorporates and combines pedestrian, contemporary movements with classical jazz and ballet technique, to create an exquisite expression of music. He allows dancers to express their individuality, and the elements of the story through unique, challenging combinations. His class tests the ability of each dancer to speak without words or indications. Routines are frequently kept for 2 weeks to allow the dancer to grow, and to let go in the choreography.